Every channel of your mix, on your scale, in your colours.

True peak, RMS, K-System — with your ballistics, your colour zones, your floor. Duplicate it and point each copy at a different stem.

Classic needles for every channel, with the reference level your room uses.

Dark or cream faces, adjustable 0 VU reference, clip LEDs and channel views from the full layout to a live stereo downmix.

See the stereo fold before it becomes somebody else’s problem.

Lo/Ro peak and RMS, correlation and the same ITU coefficients used by VORTEX — with Recovery Lock showing when the fold is standard.

Pick your delivery — EBU R128, Netflix, cinema — and it reads PASS, or tells you by how much you’re off.

Momentary, short-term, integrated, range and dialogue loudness (I-DLG), measured against the profile you’re delivering to. The QC badge is the sign-off at a glance.

Momentary, short-term and integrated loudness in one hardware-style view.

Three configurable bars with target lines, colour zones, numeric readouts and peak hold — linked to the Timeline or independently tuned.

The last hour of your mix in one circular sweep. One glance, whole story.

A circular loudness history, from one minute to a full hour per revolution. You know if the programme behaved without scrubbing anything.

Your programme’s loudness over time, locked to the session clock.

The whole programme on one strip, locked to session timecode — up to 24 hours — with the distribution histogram built in.

Your mix from above — energy floating exactly where you placed it.

The room seen from the top, energy as particles. You watch the mix breathe exactly where you panned it.

The front wall, floor to ceiling. See height, not guess it.

The frontal view: azimuth across, floor to ceiling up. Height stops being an act of faith.

What’s happening over your head, on its own screen.

The height layer isolated, top-down — check what the Atmos ceiling is really doing at any moment.

Every frequency, scrolling by as it happens.

Frequencies scrolling in real time, 20 Hz to 20 kHz. Spot the hum, the whistle, the resonance — before the client does.

The classic analyser, as fine as 1/12 octave.

The real-time analyser you grew up with, from 1/1 down to 1/12 octave, with response and tilt to your taste.

Stereo phase at a glance.

The stereo image, drawn — width, phase and balance in the shape you already know how to read.

Know it’s mono-safe before anyone asks.

Correlation per group — fronts, surrounds, heights — so mono compatibility never surprises you at the end.

Frequency up, balance across — the mix as a landscape.

The mix as a landscape: frequency up, balance across. You see where every band of energy lives.

A stereo particle cloud for width, balance and phase.

Choose Front, Rear, Downmix, Centre/LFE or Lt/Rt, then tune persistence, colour and particle behaviour like any other board module.

All your stems side by side, each with its own name and colour.

Several meters in one tile: your named stems side by side, each with its own colour and scale — collapse any of them to a single bar.